Vegas, Baby, Vegas – part four of four
by Summer Burkes
LIKE I SAID before, four legal things of note happen in Vegas: gambling, shows, conventions, and weddings. The clichéd idea of a marriage in Vegas is as familiar as it is hilarious: a late-night, hasty, desperate ritual that temporarily reassures chemically altered men and women that they won’t die alone with their cats. In the morning, they regret their legally binding whimsy and mutually agree to pretend it never happened.
Instant gratification, Vegas style: a fast-forwarded version of ill-fated marriage itself, with none of the heartache, alimony payments, or suddenly incomplete china sets that drag out the detachment process. A traditionally lifelong decision made in the blink of a bleary eye, with nothing but negative (if fleeting) consequences. Still, better than waking up with a tattoo of Foghorn Leghorn on your ass.
I was raised in Memphis, Tenn., a place where virtually everyone has come into six degrees-type contact with Elvis Presley and thinks of him as a wayward, famous distant cousin. My adoration of him falls somewhere between the blatant idolatry that consumed my childhood and the kitschiness and excess he’s associated with now.
Since I’ve known for a long time that I’m not the marrying kind, it’s been a steadfast and admittedly abnormal fantasy of mine to get married in the Graceland Chapel in Las Vegas and have it annulled the next day, “just to,” as we would say down South.
Upon inquiry, I discovered that a marriage license cost $35 and annulment cost somewhere around $150. A better way to do the whole Vegas package, I thought to my broke self, would be to pretend to take the plunge. Since one must present a marriage certificate before a ceremony can take place in the Graceland Chapel, the only way that I could fake it, I discovered, would be to “renew” vows to a husband that I never had in the first place. I collared a good-natured and willing partner in crime and hailed a cab to North Vegas.
The Graceland Chapel is a tiny place; the darkly lit reception-desk area is coated with Elvis memorabilia, bouquets for sale, and candid pictures of happy newlyweds. We meet our priest, and he looks a bit like a high-class pimp, wearing a light blue suit, collarless shirt, and gold chains.
He asks us about our first wedding, the details of which we fabricate on the spot (an artsy affair with 400 people by the pool on my parents’ estate, bagpipes and steel drums playing “Here Comes the Bride,” seven wedding cakes, a potluck dinner, a live salsa band…). He gets our names and fills out a scarily official-looking vow-renewal certificate.
My companion is squirming noticeably, and my cheeks are hot: I have the distinct feeling of being somewhere I’m really, really not supposed to be. I’m spending hard-earned money to act out a stupid fantasy from my teenage years in front of God, Elvis, and everybody. I’m lying to both Kings.
I’m sure that the ceremony would have been different if we had gotten an Elvis impersonator instead of a priest, but since they were $80 extra, no dice. When the organ music kicks in and the doors to the chapel swing open, our small ragtag wedding party are nudging one another and heckling us, the priest looks a bit confused, and, to my irritation, the chapel looks completely normal.
No stained glass Elvis window, no fuzzy dice hanging from the pulpit, not even a stitch of fake fur. In fact, it’s quite ugly. The forgettable nine-minute ceremony is short, to the point, entirely Christian, and Elvis-free. In fact, there’s nothing even vaguely Elvis-esque about the whole deal, barring the pictures in the hallway and the chapel’s name out front.
I guess it makes sense, though. What would conservative middle Americans do, knowing that the man who sweatily and histrionically sang “How Great Thou Art” lent his name to a chapel that poked fun at the social bastions of religion and marriage simultaneously?
Although I’m a bit disappointed at the uneventfulness of it all, I’m happy that my sick little itch has been scratched. We file out front for a round of photographs, and the hecklers melodramatically tell me that my chariot awaits.
A giant pickup truck swings around front, and all 12 of us climb in the back for an appropriately white-trash postnuptial joyride. On the way back to the hotel, my eyes light up as I spot a big sign that says “Joan Collins,” and then, underneath it, “World-Famous Drive-Up Wedding Window.”
Hmm. Maybe next time…
Oh and ten years after this article, on 5.14.2008, the SFBG‘s next nightlife columnist Marke B talks about French electro (“banger”) and a dance called tecktonick
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